Okay, so I'm a sucker for slim books about painting where characters have intense philosophical discussions and not much happens on the surface for the first two thirds...I fully concede that this is ...
—sublime —sparse —eloquent —evocative translucent — prose. The faceted and interesting characters jump off the page into your heads and crack your heart open…. …with one intriguing sente...
White on White is a deceptively sinister novel on the liminal spaces of various dualities and how they are reflected in art and personal intimacy. Nearly every sentence of this novel mines the depths ...
It could be just what I'm reading, but it is both fascinating and odd how often novels these days feature unnamed narrators, narrators as reflections, receptacles, sponges, the backboards against whic...
4,5I loved this! It's style reminded me of Cusk's Outline trilogy; the detached voice, observing and telling about others, whilst not saying very much about herself. Beautifully written, interesting m...
slim novel about the intersection of life & art. we're given a front row seat to the relationship between another unnamed narrator & an enigmatic painter named agnes. much like Second Place or Whereab...
Loved the ending. After reading this book, I’m feeling, weirdly, like I want to emulate the narrator in her relationship with Agnes: to listen, without offering much feedback, without intervening....
White on White by Aysegül Savas unfolds in the first-person point of view of a nameless student—probably a female although that is never specified—conducting research on Gothic nude sculptures of...
that ENDING...
The narrator and Agnes are interlocked, each the other’s subject, meticulously observed and committed to memory through art (in the narrator’s case this memoir, in that of Agnes a strange gothic r...